NVIDIA Quadro K5000 Powers Switch to Adobe Edit Workflow for Stargate Studios
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NVIDIA Quadro K5000 Powers Switch to Adobe Edit Workflow for Stargate Studios
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Stargate Studios is a global, award-winning production company specializing in virtual production and visual effects with offices in Los Angeles, Atlanta, Berlin, Vancouver, Toronto, Mumbai and Malta. Stargate’s 250 artists and supervisors deliver VFX for hit shows The Walking Dead, Haven, Grey’s Anatomy, Californication, Private Practice, Touch, and more.
Stargate’s in-house editorial team is in the process of transitioning from Final Cut Pro on MacPro machines to Adobe Premiere Pro, a decision made in part to standardize all creative teams on the PC platform. In order to benefit from the GPU-accelerated playback in Adobe Premiere Pro, Stargate editorial supervisor Anthony Safarik tapped NVIDIA’s new Quadro K5000 GPU based on NVIDIA’s Kepler architecture, the world’s fastest and most efficient GPU architecture, to give their workflow an unprecedented boost.
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Solution
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Working with NVIDIA Quadro K5000 cards in their Lenovo ThinkStation D30 workstations facilitated the workflow boost that enabled Stargate to transition their editing completely onto Adobe Premiere Pro.
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Adobe’s Mercury Playback Engine in Premiere Pro leverages NVIDIA Quadro GPUs and NVIDIA CUDA parallel-computing architecture to deliver up to eight times faster performance for key features, including Uninterrupted Playback, Warp Stabilizer, Three-Way Color Corrector, and Multi-Cam Support. The GPU-accelerated Mercury Playback Engine also enables fluid playback of cutting-edge video formats including DSLR, RED 4, and 5K native footage.
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“This was our first time working with a GPU-acceleration, and with the K5000 driving the Premiere Pro Mercury Playback Engine, the speed increases just blew our Final Cut performance completely out of the water.”
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“We did a session for an episode of Californication where we were working in a logarithmic color space-and in the past when we did these sessions we would have to spend an hour upfront to encode to ProRes, apply the effect then spend another 20 minutes to render it out into linear color space for review. With the Quadro K5000 and Adobe Premiere Pro, we were able to eliminate an hour of upfront rendering and the extra 20-minutes of rendering the linear effect on top of that. That amounts to a substantial time savings when there’s a room of producers, directors and visual effects supervisors standing over your shoulder,” continued Safarik
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